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The introduction serves as a manifesto for her own work: “Murder itself is not interesting.
In the 80s, Huppert continued to explore enigmatic and emotionally distant characters, most notably in Maurice Pialat's 'Loulou' (1980), Godard's 'Sauve qui peut (la vie)' (1980), Diane Kurys' 'Coup de foudre' (1983), and Claude Chabrol's 'Une Affaire de Femmes' (1988).She is also an alum of Europe's most prestigious National Conservatory of Dramatic Art of Paris, CNSAD.After a successful stage career, she began making films, debuting in 1972 with Faustine et le bel été (her television debut was a year earlier).Her portrayal of the pompous and pious bachelor Arthur Johnson and his struggles to control his regrettable inclination towards serial murder is as hilarious as it is disturbing.
This is probably the best of Rendell’s 24 novels to feature Chief Inspector Reg Wexford, tackling such thorny subjects as a woman who develops an irrational hatred of her unborn baby when she discovers it will be a girl.
Huppert was encouraged by her mother to begin acting at a young age, and became a teenage star in Paris.